Typographic artist Sam Winston explores the visual inspiration that comes from total darkness
Sam Winston’s new exhibition ‘Darkness Visible’ at London’s Southbank Centre brings the viewer into his mind through fields of text. Completed during seven days of total darkness, the dedicated corner of the National Poetry Library exposes the thoughts and experiences of someone searching for visual inspiration without any vision at all, writes Lindsay Hargrave.
The redesign of Italian daily newspaper La Repubblica is a bold statement in a time of change. By Giulia Tugnoli
How can printed newspapers compete or coexist with the abundance of free information in the digital realm? Italian newspaper La Repubblica has some answers, writes Giulia Tugnoli.
It’s always fun to win awards. But what do two wildly different ceremonies tell us about the state of magazine design, editing and publishing? By John L. Walters
Last week I attended two magazine awards ceremonies on two successive days. I don’t make a habit of this, but I was involved as a nominee in both the Stack Awards and those run by the BSME, the British Society of Magazine Editors, writes John L. Walters.
An Italian duo combines illustrations with photographs for an exhibition that questions the authenticity of social media
‘Double Trouble’ is a collaboration between two Italian artists: the photographer and videographer Giacomo Favilla and graphic designer and illustrator Valeria Crociata, writes Lindsay Hargrave.
Sarah Snaith reports from the fifth annual Modern Magazine conference
The fifth annual Modern Magazine conference, initiated and curated by magCulture founder Jeremy Leslie, took place this year at London’s Conway Hall. The speaker line-up reflected a wide array of approaches to publishing presented by art directors and editors who head up magazines young and old – from Migrant Journal (about to release issue three) to Japanese magazine Popeye, founded in 1976, writes Sarah Snaith.
The winner of the Man Booker Prize 2017 will be announced on 17 October. Robert Hanks talks to the designers whose covers wrap round the six shortlisted contenders
In ‘The look of literature’ I wrote about the thirteen covers on this year’s Man Booker Prize* longlist – widely praised as one of the most adventurous and wide-ranging ever, writes Robert Hanks.