In Aotearoa New Zealand, Designers Speak (Up) is challenging the male-dominated awards system. By Catherine Griffiths
A new campaign aims to address the gender imbalance in New Zealand design, writes Catherine Griffiths. For the past two decades, the Designers Institute of New Zealand (DINZ) has awarded its top accolade, the Black Pin, 43 times: 40 men, 3 women.
Three books – all crowd-funded – from Spitalfields Life, offer complementary, clear-eyed observations of the history of London’s East End
The anonymous ‘Gentle Author’, best known for his popular daily blog Spitalfields Life, has built up an impressive small publishing ‘empire’ with crowd-funded books that largely deal with stories and images from the history of London’s East End.
The 65th annual Type Directors Club competition, Patrick Thomas’s revised Protest Stencil Toolkit, the Whitney’s ‘programmed’ typeface and Studio Dumbar’s variable type City in Motion posters
Here is a selection of type-related things – recently announced type winners, a revised edition of a type, a selection of variable type posters, and an exhibition that looks at works of art based on instructions.
The University of Lincoln’s bulk subscription to Eye provides students with opportunities to relish the tactility of print – with a selfie to prove it
Several years ago, Barrie Tullett, graphic design programme leader at University of Lincoln, decided that his students should read Eye magazine.
Kevin J. Hunt reviews Paul Jackson’s accessible new book about pattern-making
Paul Jackson, an origami artist and design teacher, has created a highly accessible guide to making repeat patterns that encourages playfulness, adaptation, experimentation and vital rule-breaking, writes Kevin J. Hunt.
Neurath and Kahn – the impresarios of early twentieth-century infographics. Review of Image Factories. Infographics 1920-1945
Image Factories. Infographics 1920-1945’s humble appearance belies its contents – a wealth of precious knowledge and visuals, and an elaborate inner design that uses three different papers and special colour prints, writes Sandra Rendgen.