Kunstal Rotterdam presents a generous survey of work by Dutch illustrator, designer and comic artist Joost Swarte. Jan Middendorp reports
Joost Swarte must be the best known and most appreciated Dutch illustrator, designer and comic artist of his generation, writes Jan Middendorp.
AGI’s international president Dean Poole (New Zealand) talks about the ambitions of ‘In Progress’, this year’s AGI Open, 24 September 2019
Established in 2010 by the Alliance Graphique Internationale (AGI) – a network of graphic designers that spans 43 nations – AGI Open is an annual, student-focused conference designed to share ideas with students and the local design community, writes Dean Poole.
Hamish Muir and Paul McNeil have made a series of one-off variable data posters based on the seed files used for their famous Eye 94 cover
Back in 2017, designers Hamish Muir and Paul McNeil collaborated with Eye magazine on an unprecedented, unpredictable project: designing the 8000 variable data covers for Eye 94.
The wartime posters of Abram Games retain their persuasive power. Review by Monika Parrinder
This big retrospective exhibition of wartime posters by Abram Games at the National Army Museum is an opportunity to learn from the past, writes Monika Parrinder.
The latest issue of Eye is a type special
The latest issue of Eye has been printed and it’s on its way to subscribers and shops right now.
Eye’s Type Tuesday about 21st-Century letterpress featured Double Dagger, The Counter Press and Erik Spiekermann. A splendid time was had by all
Erik Spiekermann opened his talk at Type Tuesday on 5 March 2019 with some ruminations on the subject of craft: ‘Craft, skill, trade, vocation: The human impulse to make something for its own sake, to do it as well as you can,’ writes John L. Walters.
In Aotearoa New Zealand, Designers Speak (Up) is challenging the male-dominated awards system. By Catherine Griffiths
A new campaign aims to address the gender imbalance in New Zealand design, writes Catherine Griffiths. For the past two decades, the Designers Institute of New Zealand (DINZ) has awarded its top accolade, the Black Pin, 43 times: 40 men, 3 women.
A satirical, eighteenth-century revival is heading for London’s Oxo Tower Wharf. Curator Meredith Kasabian (Pre-Vinylite Society) sets the scene
This August the Pre-Vinylite Society will present a London show lasting just four days. ‘The Grand Exhibition of the Pre-Vinylite Society: An 18th Century Revival’ is a contemporary interpretation of a historic satirical exhibition, writes curator and sign painter Meredith Kasabian.
Inspiring exhibitions at the Schomburg Center for Research in Black Culture illustrate the dynamic power of graphic design. By Robert Newman
If, like me, you’ve been both inspired and entertained by the cultural moment that the Black Panther movie has engendered, writes Robert Newman, you’ll want to see two equally inspiring and entertaining visual exhibitions at the Schomburg Center for Research in Black Culture in New York City: ‘Power in Print’ and ‘Black Power!’.
To discover the work of ‘Pabrü’ – Swiss designer Paul Brühwiler – head to Falmouth University. Jessica Jenkins sets the scene
‘Pabrü’, opens on 23 March 2018 at Falmouth University and offers fresh insights into the output of Swiss designer and artist Paul Brühwiler, writes the exhibition’s instigator Jessica Jenkins.