Illuminated lettering signals entertainment and escapism by the sea. The fifth in Justin Burns’s series about coastal graphic design
If we take away the bright lights is there a place? The Blackpool Illuminations first lit the Lancashire seafront in 1879 when they were described as ‘Artificial Sunshine’, and remains an annual event every autumn, writes Justin Burns.
The Slavs and Tatars collective makes satirical exhibitions and installations that use pickling as a metaphor. By Gabriela Matuszyk
‘Pickle Politics’ is an eight-work cycle from collective Slavs and Tatars, writes Gabriela Matuszyk.
Decorative typography and lettering evoke the halcyon days of the British seaside. The fourth in Justin Burns’s series about coastal graphic design
Lettering, typography, and accentuated three-dimensional signs dominate the British coast, writes Justin Burns.
In the weeks following George Floyd’s death, Minnesota’s Twin Cities filled with graphic expressions of rage, mourning, solidarity and hope. By Steven McCarthy
In the wake of George Floyd’s unwarranted death at the knee of a Minneapolis police officer, the graphic landscape of Minnesota’s Twin Cities has exploded with expressions of rage, mourning, solidarity and hope, writes Steven McCarthy.
Anthropologist Rowan Gatfield investigates the visual culture of Brayford Pool’s narrow boats
‘A Narrow Truth’ is a project that aims to illuminate hidden aspects of the waterborne legacy of Brayford Pool, Lincoln’s inland harbour, which dates back to the Roman Military Period (AD43), writes Rowan Gatfield.
Guidebooks have enticed visitors to resorts since the nineteenth century. The third in Justin Burns’s series about coastal graphic design in the UK
For decades, the guidebook has navigated visitors through the bright lights of the seaside, showcasing the attractions and architectural splendour of the British coast, writes Justin Burns.
The online exhibition ‘Anno’s Journey’ is a delightful overview of work by one of Japan’s most revered illustrators. By Clare Walters
You may have missed ‘Anno’s Journey, The World of Anno Mitsumasa’ in real time, but you can now see this excellent exhibition online – and it is well worth a visit, writes Clare Walters.
Belgian designer Tom Hautekiet was one of the smartest, most energetic practitioners of his generation. His witty and subtly subversive spirit will be missed. By Jan Middendorp
On 30 April 2020, Belgian graphic designer, illustrator and musician Tom Hautekiet died unexpectedly at his family home, aged only 50. The Flemish cultural world was devastated, writes Jan Middendorp.
A recent Spanish-language book champions South American designers in a typographic format that foregrounds their thoughts about practice
Books about Argentinian design are rare, as are books that more broadly consider and contextualise Latin American design for readers within or outside the region, writes Sarah Snaith.
In the second instalment of Eye’s online series about graphic design at the UK seaside, Justin Burns navigates the history of the travel poster
The Bank Holiday, a very British institution, was first introduced in 1871, allowing workers an allocated day for respite and recuperation in August, writes Justin Burns.