Feature

 
Generation font rent

Generation font rent

Jan Middendorp

Fontstand has pioneered an innovative way for graphics students to make work with professional quality…

 
Surfers and divers

Surfers and divers

Anja Neidhardt

An innovative website tells the story of the Palestinian people in their own words, in two languages

 
The start-up that stopped

The start-up that stopped

Anne Miltenburg

Over just ten issues, Peter Biľak’s Works That Work sought to rethink design, while exploring new models…

 
Two-colour haikus

Two-colour haikus

Paul Harpin, John Miles

Banks & Miles art directed Which? magazine, the Consumers’ Association’s flagship title and its covers.…

 
Guilt, abstracted

Guilt, abstracted

Steven Heller

Nora Krug’s graphic memoir explores the
impact of the Second World War – and the Nazi regime – on…

 
Double vision

Double vision

Madeleine Morley

Fast-paced, emotional, competitive, surprising – Germany’s ZEITmagazin is a print title for the digital…

 
Liberté, égalité, typography

Liberté, égalité, typography

Simon Esterson

Serge Ricco, creative director of l’Obs, has shown this word-driven, left-wing French weekly the power…

 
Point of difference

Point of difference

Alex J. Todd

Enigmatic imagery and restrained typography give HR membership quarterly Work. the visual personality of…

 
For the love of food and print

For the love of food and print

Steven Heller

Michele Outland, creative director of Bon Appétit, also co-founded and designs the indie mag Gather…

 
Radical platform

Radical platform

Fi Churchman

From its early grassroots days, Spare Rib provided a groundbreaking public arena for women’s issues…

 
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