Feature

 

Lost worlds

Val Williams

Vernacular photography. Innocence regained? Or just another kind of fiction?

 

If the image of the text … has more value than its content …

Ewan Lentjes, Wigger Bierma

With visual culture triumphant and content marginalised, how can typography be defined?

 
Read me! Part 2. Literacy in graphic design education

Read me! Part 2. Literacy in graphic design education

Lucienne Roberts

‘Relativist’ debates within the profession have extended to the way design and typography are taught. If…

 
Read me! Part 1. Literacy in graphic design

Read me! Part 1. Literacy in graphic design

Lucienne Roberts

Graphic designers are responsible for the communication of ideas through words, signs and pictures. Yet…

 

Picture books: luxury and meaning

David Heathcote

The design of lavish illustrated tomes often shows a lack of confidence, or perhaps a confident lack of…

 

Kicking complacency in the ass

Steven Heller

In the late 1960s, the underground press was a spontaneous and primitive rebellion against the status…

 

Controlled passion: the art of Fernando Gutiérrez

Russell Warren-Fisher

In post-Franco Spain, a cool Catalan breeze blows through the often humid, overheated world of…

 
Reputations: Milton Glaser

Reputations: Milton Glaser

Steven Heller

‘I am nervous about ideologies, whether it’s the ideology of business or the ideology of Bolshevism. I…

 
Play-centre of the avant-garde

Play-centre of the avant-garde

Christian Küsters

At the Institute of Contemporary Arts in London, design reflects a developing sense of identity and…

 

Blam: the essence is speed

William Owen

William Owen looks at design in the age of digital reproduction

 
‹ First  < 100 101 102 103 104 >