Feature

 
Radical platform

Radical platform

Fi Churchman

From its early grassroots days, Spare Rib provided a groundbreaking public arena for women’s issues…

 
Reputations: David Driver

Reputations: David Driver

Martin Colyer

‘That was the buzz  one got about publishing. What do people want? Where are the gaps in the market? You…

 
Lovable loser

Lovable loser

Marianne Hanoun

A daring approach to sports journalism earned the short-lived Jock magazine a place in design history

 
Pulling back the curtain

Pulling back the curtain

David Crowley

Published by the Communist Women’s League, Ty i Ja [You and I] was an ambitious 1960s title that brought…

 
Two-colour haikus

Two-colour haikus

Paul Harpin, John Miles

Banks & Miles art directed Which? magazine, the Consumers’ Association’s flagship title and its covers.…

 
Guilt, abstracted

Guilt, abstracted

Steven Heller

Nora Krug’s graphic memoir explores the
impact of the Second World War – and the Nazi regime – on…

 
Point of difference

Point of difference

Alex J. Todd

Enigmatic imagery and restrained typography give HR membership quarterly Work. the visual personality of…

 
This woman’s work

This woman’s work

John L. Walters

Kate Hepburn’s design career, embracing pioneering magazines such as Spare Rib and Vole as well as…

 
Double vision

Double vision

Madeleine Morley

Fast-paced, emotional, competitive, surprising – Germany’s ZEITmagazin is a print title for the digital…

 
Liberté, égalité, typography

Liberté, égalité, typography

Simon Esterson

Serge Ricco, creative director of l’Obs, has shown this word-driven, left-wing French weekly the power…

 
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