Feature

 
Guilt, abstracted

Guilt, abstracted

Steven Heller

Nora Krug’s graphic memoir explores the
impact of the Second World War – and the Nazi regime – on…

 
Point of difference

Point of difference

Alex J. Todd

Enigmatic imagery and restrained typography give HR membership quarterly Work. the visual personality of…

 
This woman’s work

This woman’s work

John L. Walters

Kate Hepburn’s design career, embracing pioneering magazines such as Spare Rib and Vole as well as…

 
Double vision

Double vision

Madeleine Morley

Fast-paced, emotional, competitive, surprising – Germany’s ZEITmagazin is a print title for the digital…

 
Liberté, égalité, typography

Liberté, égalité, typography

Simon Esterson

Serge Ricco, creative director of l’Obs, has shown this word-driven, left-wing French weekly the power…

 
Generation font rent

Generation font rent

Jan Middendorp

Fontstand has pioneered an innovative way for graphics students to make work with professional quality…

 
The information graphics

The information graphics

Simon Rogers

Good data visualisation is vital to effective news publishing, says Simon Rogers

 
Looking at magazines looking at themselves

Looking at magazines looking at themselves

Martin Colyer

Five enormous, lavish books celebrate the achievements of five legendary titles: Harper’s Bazaar…

 
Industrial light

Industrial light

Andrew Robertson

Philip Sayer’s photography for Management Today in the 1980s and 90s forged a vivid connection between…

 
John Bulmer

John Bulmer

Anne Braybon

John Bulmer (b.1938), a photo-journalist and filmmaker, is recognised for his…
 
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