Feature: Book design

 
To have and to hold

To have and to hold

The challenges of digital publishing have galvanised a new spirit in book design and production. Is it…

 
In the right place

In the right place

In this extract from his book, Gerald Cinamon explains how he brought integrated book design to Penguin…

 
Told in pictures

Told in pictures

Wordless picturebooks form a corner of children’s literature in which illustrators and artists tell…

 
A nose for type

A nose for type

A new publisher of ‘visual writing’ launches with this typographic reboot of an eighteenth-century…

 
The shape of a pocket

The shape of a pocket

In 1960s France, Henry Cohen’s inventive photographic covers made Gallimard’s Idées series required…

 

The producer as author

For Bruce Mau, graphic design is a way of investigating ethical, cultural and philisophical issues

 
Penguin crime

Penguin crime

Romek Marber’s 1960s paperback identity is a landmark of independent British design

 

The image as evidence

The career of Germano Facetti is exceptional in its range. As art director of Penguin Book covers in the…

 

Permanent innovation

With his ‘livre objets’ for the French book clubs, Pierre Faucheux invented a new genre

 
Naked words

Naked words

Type-only book covers – whether deliberately austere, functional … or shouting loud from the shelves –…

 
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