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	Eye

	Winter 2009

OPINION

Editorial Eye 74
by John L. Walters, the editor

Critique
All mouth and trousers?
by Rick Poynor

Berlin Special
Repossession
by Steven Heller

Eye 74 contents
by the editor

Berlin Special
Volkssport design – live and let live?
by Florian Schmidt

FEATURES

Berlin profile
Depth of field
by Jessica Jenkins

Archive
The shape of the century
by James Pardey

Berlin special
Berlin
by Jan Middendorp

Typography/ Interview
The show must go on
by Celia Stothard

Berlin special
On message
by John L. Walters

Reputations / Interview
Karsten Schmidt
by John L. Walters

Berlin network
Six degrees of Erik Spiekermann
by Liz Farrelly, Eye writers

Berlin special
Before and after East met West
by John Ridpath, Eye writers

REVIEWS

Less and more – the design ethos of Dieter Rams

Freedom Rhythm & Sound: Revolutionary Jazz Original Cover Art 1965-83

Decode: Digital Design Sensations

Ed Ruscha: Fifty Years of Painting

AIGA Make / Think Design Conference

Studio Culture: The secret life of the graphic design studio

Graphic Eye: Photographs by International Graphic Designers

Logorama

Parrworld: The Collection of Martin Parr

Emigre No.70

The Toon Treasury of Classic Children’s Comics

Typography Papers 8: Modern typography in Britain



		AVANT-GARDE ZEITGEIST CONTEMPORARY AMBITIOUS DIGITAL TECHNOLOGY PLACE MODERNITY BERLIN Concept index hide concept words

Challenged to design a poster celebrating London, British designers show mostly how little they care for the form

After years of wrangling, the posters that the Nazis stole from Hans Sachs are to be returned to his heirs. But would they be better off in a Berlin museum?

Eye 74 contents page

Is the design profession at risk thanks to globalised hordes of Web-savvy amateurs?

chezweitz & roseapple are the new scenographers, who persuade museum curators to take the integrated approach.

How 1960s Op Art and cut-up culture informed the cover designs of Fontana Modern Masters in the 1970s.

For this special issue, Eye visits Berlin to explore the graphic output of this sprawling, labyrinthine, fascinating city

Buy a pension or a huge collection of theatrical type? For Celia Stothard and Alan Kitching, the choice was clear.

Content is king at Nicolas Bourquin’s Onlab, but its editorial focus incorporates visual delight and conceptual ingenuity.

Hailed as a virtuoso, Karsten Schmidt has collaborated on some of the most striking digital projects of recent years

Much of a city’s history is written in its street signs. Berlin-born Verena Gerlach has turned their shapes and stories into typefaces


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