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	Eye

	Autumn 1995

OPINION

Agenda
The persona non grata who lives on the Web
by Janice Hart

Monitor
What happens when the edges dissolve?
by Loretta Staples

FEATURES

Reputations
Fabien Baron
by J. Abbott Miller

Archive
A Humument
by Eye writers

Overview
Land of Logos
by Michael Horsham

Profile / Erik Spiekermann
Meta's tectonic man
by William Owen

Overview
The 30-second sell
by David Redhead

History / Cipe Pineles
The tenth pioneer
by Martha Scotford

Essay [EXTRACT]
Under the surface of style
by Andrew Blauvelt

Profile / Johanna Drucker
Words made flesh
by Ellen Lupton

REVIEWS

The Total Package: The Evolution and Secret Meanings of Boxes, Bottles, Cans, and Tubes

Communicating Design

Experience

Confessions of the Guerilla Girls

Twentieth Century Type Designers

Typographers on Type

Software: Vector Effects



		ACADEMIA AMBIGUOUS DIRECTION DISSOLVE EDGE FORM LOGO SURFACE BLUR CODE ARCHIVE CELEBRATE EYE GRAPHIC DESIGN HISTORY INDEX MONITOR PORTFOLIO REPUTATIONS REVIEW THEORY TYPOGRAPHY VOLUME Concept index hide concept words

Communication on the Web

We are living in a time of profound ambiguity. Physical and institutional boundaries are in flux. The blur is the emblem of design in the 1990s.

Tom Phillips’ treated novel is a key text in the short history of deconstruction and experimental print

Institutional logos a go-go

Spiekermann and type

Book cover designers steer a difficult path between the tried and tested and their urge to experiment

Cipe Pineles was a design innovator. Why, when the history came to be written, was she left out?

Designers and critics alike reject style as shallow and meaningless. But they overlook the complex ways in which its codes are used by different social groups

Johanna Drucker pursues a double life as a historian of letterforms and a maker of artist's books


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